On this site is information about books written and edited by John Shannon Hendrix on the subjects of
architecture, art, philosophy, aesthetics, psychoanalysis, culture and history, as well as articles, conference
papers, and experience as Professor of Art and Architectural History.
John Shannon Hendrix is a professor at Roger Williams University
in Rhode Island. He has also been a professor at the Rhode Island School of Design, the University of Lincoln in the UK, and
John Cabot University in Rome. He has written many books on architecture, aesthetics, philosophy and psychoanalysis. He earned
a PhD at Cornell University.
an architectural and intellectual historian who has researched and written about a variety of architectures and philosophies,
for the purpose of suggesting alternatives to the practice of architecture and philosophy at the beginning of the twenty-first
century. He has worked to define a theoretical approach to art and architecture based on philosophy, aesthetics, cosmology,
psychoanalysis, and historical precedents which can be applied to contemporary practice. He has worked to establish an
intellectual basis for architecture in historiography and practice, means by which architecture can express cultural ideas
and epistemologies. He has researched and written about Egyptian, Greek, Roman, medieval, Renaissance, Baroque, early modern,
modern, postmodern, and contemporary architectures, and Hermetic, Platonic, Aristotelian, Neoplatonic, Peripatetic, Scholastic,
Idealist, Romantic, and Deconstructionist philosophies, and Freudian and Lacanian psychoanalysis.
Thought in Philosophy and Psychoanalysis, Basingstoke: Palgrave Macmillan, 2015
Unconscious Thought in Philosophy and Psychoanalysis explores
concepts throughout the history of philosophy that suggest the possibility of unconscious thought and lay the foundation for
ideas of unconscious thought in modern philosophy and psychoanalysis. The book considers the workings of unconscious
thought, and the role that unconscious thought plays in thinking, language, perception, and human identity. The focus is on
the metaphysical and philosophical concepts of unconscious thought, as opposed to the empirical or scientific phenomenon of
'the unconscious', and it is argued that these metaphysical concepts still played an important role in the psychoanalysis
of Sigmund Freud and Jacques Lacan. With chapters drawing on a wide range of philosophers from Plotinus to Freud and Lacan, Unconscious Thought in Philosophy and Psychoanalysis casts
an original and thought-provoking perspective on the relation between unconscious thought and conscious thought, different
kinds of thinking, and the relation between thinking and perceiving.
1. Plotinus: The First Philosopher of the Unconscious; Imagination and unconscious thought; Art and unconscious thought; 2.
The Peripatetics and Unconscious Thought; Alexander of Aphrodisias; Themistius; Alfarabi; Avicenna; 3. The Active Intellect
of Averroes; Averroes and Plotinus; Averroes and Grosseteste; 4. Robert Grosseteste: Imagination and Unconscious Thought;
5. Unconscious Thought in the Philosophy of Immanuel Kant; The Kantian imagination; Critique
of Pure Reason; Critique of Judgment; 6. Unconscious Thought
in Eighteenth- and Nineteenth-Century Philosophies; Wolff, Baumgarten, Sulzer, Platner; Schelling; Hegel; Herbart; Carus and
Fechner; Hartmann and Lipps; 7. Unconscious Thought in Freud; 8. Unconscious Thought in Lacan; Lacan and Plotinus
This book explains and celebrates the splendor and variety of English churches and cathedrals,
which have a major place in medieval architecture. The English Gothic style developed somewhat later than in France, but rapidly
developed its own architectural and ornamental codes. The book classifies English Gothic architecture in four principal stages:
the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural
testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln,
York, Salisbury, and many more. The English Gothic architecture is a poetic one, speaking both to the senses and spirit. The
medieval churches and cathedrals of England collectively provide one of the richest architectural experiences in the world.The Contradiction Between Form and Function in Architecture,
Abingdon, Oxon: Routledge, 2013
The purpose of this book is to show how the contradiction between form and function has played an important
role in architecture throughout history, allowing architecture to be a form of artistic expression and a communicator of ideas
about human identity. Continuing the themes that have been addressed in The
Humanities in Architectural Design and The
Cultural Role of Architecture, this book stresses the humanistic role of architecture in culture. The role of the terms
"form" and "function" are analyzed throughout the history of architecture and architectural theory, from
Vitruvius to the present, with particular emphasis on twentieth-century functionalism. Historical examples are given from
Ancient, Classical, Islamic, Christian, Byzantine, Gothic, Renaissance, Mannerist, and Neoclassical architecture, and from
movements in the twentieth century to the present. In addition philosophical issues such as lineamenti, Vorstellung, différance,
dream construction, deep structure and surface structure, topology theory, self-generation, and immanence are explored in
relation to the compositions and writings of architects throughout history. This book contributes to the project of re-establishing
architecture as a humanistic discipline, to re-establish an emphasis on the expression of ideas, and on the ethical role of
architecture to engage the intellect of the observer and to represent human identity.
as Cosmology: Lincoln Cathedral and English Gothic Architecture
New York: Peter Lang, 2011
of the book is to show how the forms of English Gothic architecture are related to medieval cosmologies, focusing on the architecture
of Lincoln Cathedral and the cosmologies of Robert Grosseteste. The book illustrates the extent of the influence of Lincoln
Cathedral on the development of English Gothic architecture. The book examines the precedents, interpretations, and influences
of the architecture of Lincoln Cathedral. The book analyzes the origin and development of the architectural forms, which were
to a great extent unprecedented when they appeared at Lincoln. The architecture is seen as a text of the philosophy, cosmology,
and theology of medieval English culture.
Robert Grosseteste: Philosophy of Intellect
and Vision, Sankt Augustin: Academia Verlag, 2010
The purpose of the book is to illustrate how the philosophies of Grosseteste are
rooted in Platonic, Aristotelian, Neoplatonic and Peripatetic philosophies, and to show how Grosseteste made important contributions
to theories of intellect and vision. The book aims to contribute to the importance of Grosseteste in the history of philosophy,
and to establish groundwork for further development in these two areas of philosophy, to contribute to contemporary philosophy.
Emphasis is placed on the relation between Grosseteste's philosophies and previous influences (classical: Plato, Aristotle,
Euclid; Greek commentators on Aristotle: Alexander of Aphrodisias, Themistius; Arabic commentators on Aristotle: Alfarabi,
Avicenna, Averroes; and the Neoplatonic tradition: Plotinus, Proclus, Pseudo-Dionysius), as well as their relation to subsequent
philosophies in the middle ages, and the Renaissance to the twentieth century. The philosophies are also considered in relation
to the architecture of Lincoln Cathedral.
Architecture and Psychoanalysis: Peter Eisenman and Jacques
New York: Peter Lang, 2006
purpose of the book is to show how the psychoanalytic theories of Sigmund Freud and Jacques Lacan can be applied to architecture,
focusing on the architecture of Peter Eisenman.There are extended discussions of the thought of figures
such as Ferdinand de Saussure and Jacques Derrida, and the work of architects such as Leon Battista Alberti, Francesco Borromini,
Giuseppe Terragni, and Ludwig Mies van der Rohe. Concepts analyzed in relation to architecture include the signifier and signified
in Structural Linguistics, deep structure and surface structure,differance in
Deconstruction; latent content and manifest content in the dream work of Freud, as well as condensation and displacement,
picture thinking and image making; Lacanian concepts of the anchoring point and sliding in language, the mirror stage, ego
formation, the matrix and mechanisms of language, and primordial perception. Concepts of Eisenman for architecture which are
analyzed include apperception, scaling, decomposition, folding, blurring, the figural, the interstitial, and interiority.
Aesthetics and the Philosophy of Spirit: From
Plotinus to Schelling and Hegel
New York: Peter
purpose of the book is to show the roots of the aesthetics of Hegel and Schelling in the thought of Plotinus, and to show
the importance of the aesthetics in artistic production. The book describes the Platonic bases of the aesthetics of Plotinus,
and the Plotinian bases of the aesthetics of Schelling and Hegel in the Philosophy of Spirit, Identity Philosophy (the relation
between intellect and nature), and Transcendental Idealism. The book explores the concept of art as philosophy, as a product
of mind, and as an instrument of intellect in the relation between reason and perception. Particular concepts analyzed include
the dialectics of universal and particular, subjective and objective, consciousness and self-consciousness, thought and matter
in representation (Darstellung), and being-in-itself (Ansich) and being-for-self (Fursich), as
they are manifest in artistic representation.
1. Introduction; 2. The Symposium and
the Aesthetics of Plotinus; 3. The Aesthetics of Schelling: The Philosophy
of Art; Bruno, or On the Natural and the Divine Principle of Things;System
of Transcendental Idealism; 4. Plotinian Hypostases in Hegel's Phenomenology
of Spirit; 5. The Aesthetics of Hegel: Introductory Lectures on Aesthetics; Phenomenology of Spirit; Philosophy
of Mind; 6. Architecture and the Philosophy of Spirit
Platonic Architectonics: Platonic Philosophies and the Visual
Arts, New York: Peter Lang,
purpose of the book is to illustrate the important role that Platonic philosophies have played in a variety of art and architectural
production from the fourth to the twentieth centuries. There arechapters on Anaximander, Plato, Plotinus,
Proclus, Cusanus, Leon Battista Alberti, Piero della Francesca, Paul Cezanne, the Cubists and Deconstructivists. Interpretations
of philosophical texts, artistic treatises, and works of art and architecture in Western culture are presented as they
are related to Platonic and Neoplatonic philosophies. Philosophical concepts examined include the apeiron, arche, chora, cosmos,
Idea, intellectus divinus, implicato/explicato, coincidentia oppositorum, Intellectual Principle, the Other, the heterogeneous,
and deep structure, in relation to artistic concepts such as perspectiva naturalis/artificialis, costruzione leggitima, scenographia,
concinnitas, disegno, commensuratio, harmonic proportions, transformational relationships, spacing, and dislocation.
Architectural Forms and Philosophical Structures, New
York: Peter Lang, 2003
purpose of the book is to show how a variety of architectural forms are related to philosophical structures, and how architectural
theory is rooted in philosophy. There are chapters on Egypt, Archaic Greece, Francesco Borromini, Guarino Guarini and
Bernardo Vittone, Gottfried Wilhelm Leibniz, Giambattista Piranesi, the Gothic Romance, Jacques Lacan and Roger Caillois,
Sigmund Freud and The Cabinet of Doctor Caligari, Georges Bataille
and Frederick Kiesler, and The Body in the Theory of Making. The book examines such philosophical concepts as the Ennead and
the zodiac, numerology and cosmology, Hermeticism and Neoplatonism, the tetractys, circuitus
spiritualis, Celestial Hierarchies, complicato/explicato, coincidentia oppositorum, Structural Rationalism, the sublime, the unconscious,
dream images, psychophysiological space, psychasthenia, the informe,
the gaze, the libido, optical theory, and the heterogeneous, in relation to architectural design.
1. Introduction; 2. Architecture and Cosmology in Ancient Egypt; 3. Architecture and Cosmology in Ancient Greece; 4.
Francesco Borromini and the Construction of Meaning; 5. Guarino Guarini and Bernardo Vittone; 6. Leibniz and the Baroque;
7. The Psychological Architecture of Piranesi; 8. Architecture of the Unconscious in the Gothic Romance; 9. The Structure
of Psychophysiological Space; 10. Sigmund Freud and The Cabinet of Doctor
Caligari; 11. Georges Bataille and Frederick Kiesler; 12. The Laceration of the Body
The Relation Between Architectural Forms and Philosophical Structures in the Work of Francesco Borromini in Seventeenth-Century Rome
The purpose of the book is to show how Borromini's architectural forms
are related to philosophical structures, and how Borromini's architecture is a catechism of the philosophies of its culture,
in a culmination of classical and renaissance ideas. The
analysis includes a historical reconstruction of the setting of seventeenth-century Rome and an examination of drawings and
built work in relation to published diagrams and essays, which were translated by Borromini into geometries and architectural
forms. Buildings examined include San Carlo alle Fontane, Sant'Ivo alla Sapienza, and the Oratorio di San Filippo Neri.
Philosophies include those of Nicolas Cusanus, Marsilio Ficino, and Athanasius Kircher.
Chapters: 1. Renaissance Precedent: Leon Battista Alberti; 2. The Structure of the
Cosmos in the Baroque; 3. The Neoplatonic Idea at the Accademia di San Luca; 4. Syncretism and Architectural Syntax; 5. The
Structuring of the Conceptual Process; 6. Athanasius Kircher and Hermeticism; 7. Esoteric Symbols of Hermetic and Neoplatonic
Philosophy; 8. Light, Vision and Numerology; 9. The Transmutation of Geometries; 10. Neoplatonic Philosophy; 11. Presocratic
Culture in Italy
Lanham, MD: University Press of America, 2003
An introductory survey of history and culture in Italy, based on classes, lectures
and tours in Italy over the course of four years. The survey includes personal experience, and descriptions of significant
figures in politics, literature, philosophy and the arts.
Chapters: 1. Giordano Bruno and Intellectual Rebellion; 2. Venice, Vicenza and Milan; 3. Paolo Portoghesi: Borromini and
Postmodernism; 4. Mythological Origins in Crete and the Peloponnese; 5. Giuseppe Mazzini and the Risorgimento; 6. Baroque
Architecture in Turin; 7. Primo Levi and Post-Holocaust Identity; 8. Antonio Gramsci and Marxist Cultural Theory; 9. Vienna
and the Origins of Modernism; 10. Prague: Creativity and the Subconscious; 11. Giovanni Macchia: Sensuality and Modern Life;
12. Futurism and the Obsession with Speed; 13. Calcio and Astrology in Modern Italy; 14. Silvio Berlusconi and Capitalist
Politics; 15. Life as Spectacle; 16. Calcata: A Bohemian Alternative; 17. Franco Archibugi and the Italian Language; 18. Campo
Marzio: The Heart of Rome; 19. Genoa and the French Riviera; 20. Capri and Anacapri; 21. Thomas Aquinas and the Great Synthesis;
22. Lorenzo Valla: Philology and Textual Criticism; 23. Tommaso Campanella: Political Revolt and Utopia; 24. Giambattista
Vico and the Social Sciences; 25. Benedetto Croce and the Philosophy of Spirit; 26. Archetypes for Mythology and Christianity
in Egypt; 27. Olympia: The Greek Arcadia; 28. The Art Scene in Rome; 29. The Villa Farnesina; 30. Seneca and Stoicism; 31.
Constantine and Christianity; 32. Cicero and the Art of Oration; 33. Piazza San Pietro and the Arms of the Church; 34. Classical
Philosophy in the Vatican; 35. Borromini: Humanism and Neoplatonism; 36. The Cornaro Chapel: Spiritual and Physical Ecstasy;
37. Pompeii and the Villa of the Mysteries; 38. Plotinus: Plato and the Ennead; 39. Saint Francis of Assisi and the Universal
Spirit; 40. Siena: The Renaissance that Might Have Been; 41. Saint Augustine and the Christian Community; 42. Leon Battista
Alberti and the Modern Architect; 43. The City of Florence; 44. Michelangelo: Expression and Rebellion; 45. The Platonic Academy;
46. Sandro Botticelli and Classical Mythology; 47. Pisa: Monuments to an Empire; 48. Galileo and the Birth of Science; 49.
Umberto Eco and the Importance of Semiotics; 50. Andrea Palladio and Humanist Architecture; 51. Byzantine Mosaics in Ravenna;
52. Giuseppe Terragni: Architecture and Politics; 53. Athens and Aix-en-Provence
Architecture and the Unconscious, Abingdon, Oxon: Routledge, 2016
There are a number of recent texts that draw on psychoanalytic theory as an interpretative approach
for understanding architecture, or that use the formal and social logics of architecture for understanding the psyche. But
there remains work to be done in bringing what largely amounts to a series of independent voices, into a discourse that is
greater than the sum of its parts, in the way that, say, the architect Peter Eisenman was able to do with the architecture
of deconstruction or that the historian Manfredo Tafuri was able to do with the Marxist critique of architecture. The discourse
of the present volume focuses specifically for the first time on the subject of the unconscious in relation to the design,
perception, and understanding of architecture. It brings together an international group of contributors, who provide informed
and varied points of view on the role of the unconscious in architectural design and theory and, in doing so, expand architectural
theory to unexplored areas, enriching architecture in relation to the humanities. The book explores how architecture engages
dreams, desires, imagination, memory, and emotions, how architecture can appeal to a broader scope of human experience and
identity. Beginning by examining the historical development of the engagement of the unconscious in architectural discourse,
and the current and historical, theoretical and practical, intersections of architecture and psychoanalysis, the volume also
analyses the city and the urban condition. Edited with Lorens Holm, with essays by Andrew Ballantyne, Kati Blom, Hugh Campbell,
Emma Cheatle, Gordana Korolija Fontana-Giusti, John Hendrix, Lorens Holm, Stephen Kite, Christina Malathouni, Timothy D. Martin,
Francesco Proto, Jane Rendell, Nikos Sideris, and Alla G. Vronskaya.
Bishop Robert Grosseteste and Lincoln Cathedral
Tracing Relationships between Medieval Concepts of Order and
Oxon: Routledge, 2014
The purpose of the book is to understand medieval architecture in relation
to medieval society, values, philosophy and religion, focusing on Robert Grosseteste and Lincoln Cathedral. The architecture
and topography of Lincoln Cathedral are examined in their cultural contexts, in relation to scholastic philosophy, science
and cosmology, and medieval ideas about light and geometry, as highlighted in the writings of Robert Grosseteste, Bishop of
Lincoln Cathedral in the thirteenth century. The book explores Grosseteste's ideas in the broader context of medieval
and renaissance cosmologies, optics and perspective, natural philosophy and experimental science, along with issues such as
the policies of the bishop in governance and education. The book contributes to the broader understanding of the relations
between architecture and cultural issues. Edited with Nicholas Temple and Christian Frost, with essays by Nicholas Bennett,
Nicholas Temple, Cecilia Panti, Jack Cunningham, John Hendrix, Noe Badillo, Dalibor Vesely, Christian Frost and Allan Doig.
The purpose of the book is to demonstrate the important role that architecture
plays in cultural expression and identity, and to show
the extent to which architecture is a humanistic discipline. The book examines the historical role of the cultural in architectural production and expression, looking at meaning and communication,
tracing the formations of cultural identities. Chapters written by international academics in history, theory and philosophy
of architecture, examine how different modes of representation throughout history have drawn profound meanings from cultural
practices and beliefs. Edited with Paul Emmons and Jane Lomholt, essays by Nicholas Temple, Dagmar Weston, Chris Siwicki,
Liana De Girolami Cheney, Noé Badillo, Jane
Lomholt, Louise Pelletier, Cristina Gonzalez-Longo, Paul Emmons, Marco Frascari, Chris Hay, Harry Charrington, Jan Frohburg,
Alexandra Stara, Gerald Adler, John Hendrix, Alberto Pérez-Gómez,
Nikolaos-Ion Terzoglou, Ashraf Salama, Jason Crow, Mark Cannata, Nader El-Bizri.
Theories of Vision
Abingdon, Oxon: Routledge, 2010
The purpose of the book is to show how renaissance works of art were based on aesthetic theories focusing on theories
of vision, which were derived from classical, medieval, and renaissance philosophies. How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made
manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and
philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically
significant writers from the classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St. Augustine,
Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo
Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors scrutinize
and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence,
Rome, Venice, England, Austria, and the Netherlands. The artists whose works and practices are discussed include Fra Angelico,
Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp,
and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence
between art, science, philosophy, and literature across Renaissance Europe. Edited with Charles H. Carman, essays by Nader
El-Bizri, Charles H. Carman, Allie Terry, Amy R. Bloch, John Hendrix, Liana De Girolami Cheney, Christian Kleinbub, Nicholas
Temple, Thijs Weststeijn, Faye Tudor, Alice Crawford Berghof.
Neoplatonic Aesthetics: Music, Literature and the Visual Arts
New York: Peter Lang, 2004
The purpose of the book is to show that there is such a thing as Neoplatonic
aesthetics, and that it plays an important role in a variety of artforms in the history of Western culture. The essays are from a conference organized in Florence with Liana De Girolami Cheney, examining the role of
Neoplatonic aesthetics in the arts. There are chapters by contributors on Sufism, Proclus, Gioseffe Zarlino, Platonic Forms,
Plotinus, Stephen MacKenna, Iris Murdoch, Fra Angelico, Leon Battista Alberti, Sandro Botticelli, Michelangelo, Giorgio Vasari,
Denman Ross, and Postmodern theory.
The purpose of the book is to illustrate
the important role that Neoplatonism has played in artistic production in a variety of artforms. The essays are from
a conference organized in Rome with Liana De Girolami Cheney, examining the role that Neoplatonism has played in artistic
production in Italy. There are chapters by contributors on Georges Gemistos-Plethon, Marsilio Ficino, Plato, Michelangelo,
El Greco, Francesco Borromini and Athanasius Kircher, The Myth of Hercules, Sandro Botticelli, Dante, Giorgio Vasari, Francesco
Clemente and Giovanni Macchia.
"Renaissance Aesthetics and
Mathematics," in Ingrid Alexander-Skipnes, ed., Visual
Culture and Mathematics in the Early Modern Period,
New York: Routledge, 2017.
in English Gothic Architecture," in Nicholas Campion, ed., Heavenly
Discourses, Lampeter, Wales: Sophia Centre Press, 2016.
"Architecture and the
Kantian Unconscious," in John Shannon Hendrix and Lorens Eyan
Holm (eds), Architecture and the Unconscious, Ashgate/Routeldge, 2016.
of form and function in architectural aesthetics," in Rivista di
Di Stefano and Francesco Vitale, Turin: Labont, 2015.
"Architecture and Intellectual Development," in Kyriaki Tsoukala, Nikolaos-Ion
Charikleia Pantelidou (eds), Intersections of Space and Ethos, London and New York:
"The Enflamed Heart: Architecture and Iconology,"
in Giuseppe Cascione, ed., Iconocrazia,
No. 6, Bari: Universita di Bari "Aldo Moro," 2014.
Architecture of Lincoln Cathedral and the Cosmologies of Bishop Grosseteste,"
Temple, John Shannon Hendrix, and Christian Frost (eds.), Bishop Robert
Grosseteste and Lincoln
Cathedral: Tracing Relationships between Medieval Concepts
of Order and Built Form, Farnham, Surrey:
in Angela Bartram, Nader El-Bizri and Douglas Gittens (eds.), Recto Verso:
Redefining the Sketchbook, Farnham, Surrey:
"Psychoanalysis and Identity in Architecture," in Soumyen Bandyopadhyay and Guillermo
Garma Montiel (eds.), The Territories
of Identity: Architecture in the Age of Evolving
Globalisation, Abingdon, Oxon: Routledge,
“The Architecture of Lincoln
Cathedral and the Institution of Justice,” in Jonathan Simon,
and Renée Tobe (eds.), Architecture and Justice: Judicial Meanings
in the Public Realm, Farnham, Surrey:
and Dream Construction,” in Elizabeth Danze and Stephen Sonnenberg
(eds.), Center, Vol. 17: Space and Psyche, Austin: Center for American
a Contradiction Between Form and Function in Architecture,” in
Raymond Quek, ed., The Expertise of Architecture and Its History,
Pretoria: South African Journal of Art History, Vol. 27, No. 1, 2012.
"Architecture and Intellectual Development," Intersections
of Ethos and Space, Nikolaos-Ion
Terzoglou ed., Thessaloniki: Epikendro Editions, 2012 (in Greek)
of Architecture," The Cultural Role of Architecture, Routledge,
"Architecture as the Psyche of a Culture," The
Cultural Role of Architecture,
in the Writings of Robert Grosseteste," Conversations
Platonic and Neoplatonic: Intellect,
Soul, and Nature, Academia Verlag, 2011.
"Perception as a Function of Desire in the Renaissance," Renaissance
the Accademia di San Luca in Rome," The Humanities in
Architectural Design, Routledge, 2010.
"The Return of Allegory to Architecture," Changing
Territories, New Cartographies,
ACSA Conference Proceedings, 2004.
and the Philosophy of Spirit," Spirit, ACSA Conference Proceedings,
"Introduction," "The Neoplatonic Aesthetics of Leon Battista Alberti,"
Neoplatonic Aesthetics: Music, Literature, and
the Visual Arts, Peter Lang, 2004.
"Gae Aulenti," "Leonardo Benevolo," "Vittorio Gregotti," "Pier Luigi Nervi," "Paolo
of Twentieth Century Architecture, New York: Fitzroy
"Francesco Borromini and Athanasius Kircher," "Francesco Clemente
and Giovanni Macchia," Neoplatonism
and the Arts, Edwin Mellen, 2002.
"Neoplatonism in the Design of Baroque Architecture," Neoplatonism and Western
Aesthetics, Aphrodite Alexandrakis ed., Albany: State University of New York Press,
"Symbols in the Designs of Francesco Borromini," Imaging Humanity, John Casey ed.,
Lafayette, IN: Bordighera Press, 2001.
"Ascesa attraverso gerarchie neoplatoniche in San Carlo alle Quattro Fontane,"
Francesco Borromini, Atti del convegno
internazionale, Milano: Electa, 2000.
"Neoplatonic Philosophy and Roman Baroque Architecture," European Studies
"The Body in the Theory of Making," Triangulating the Bodies of Architecture, ACSA
Conference Proceedings, 1996.
Charles H. Carman, Leon
Battista Alberti and Nicholas Cusanus: Towards an Epistemology
of Vision for
Italian Renaissance Art and Culture, in History of Humanities, Chicago:
University of Chicago Press, 2017.
Karl Giehlow, The Humanist Interpretation of Hieroglyphs in the Allegorical Studies of the
Renaissance: With a Focus on the Triumphal Arch of Maximilian I, in Renaissance
Quarterly, Chicago: University of Chicago Press, 2016.
R. Banker, Documenti fondamentali per la conoscenza della vita e dell’arte
della Francesca, in Renaissance Quarterly, Chicago: University of Chicago Press, 2014.
Keith Christiansen, ed., Piero della Francesca: Personal Encounters, in Renaissance
Quarterly, Chicago: University of Chicago Press, 2014.
"Perceptions and Forms: Neoplatonism and Renaissance Architecture,"
Foro di Studi
Avanzati "Gaetano Massa," Rome, 2018.
Timaeus and Durham Cathedral," Conference on Fundamental Structures, Durham
"Plotinus and the Artistic Imagination," Foro di Studi Avanzati "Gaetano Massa,"
"Mannerist Details in Borromini's San Carlo alle
Quattro Fontane, Renaissance Society of
America Conference, Chicago, 2017.
Philosophical Unconscious," International Society for Neoplatonic Studies, Seattle
"Tropic Architecture," Renaissance
Society of America, Humboldt University, Berlin, 2015.
and Cosmology," Symposium on Lincoln Cathedral and Architectural
of Lincoln, 2015.
"Unconscious Thought in Peripatetic
Philosophy," Ancient and Medieval Philosophy,
Fordham University, 2014.
"Plotinus: The First Philosopher of the Unconscious," International Society for
Neoplatonic Studies, University of Lisbon, 2014.
"The Enflamed Heart: Architecture and Iconology," Renaissance
Society of America,
New York, 2014.
"Neoplatonism and English Gothic Architecture,"
International Society for Neoplatonic
Studies, Cardiff, 2013.
"Philosophy of Intellect in the Long Commentary on
the De anima of Averroes,"
Ancient and Medieval Philosophy, Fordham University, 2012.
"Intellect and the Structuring of Reality in Plotinus and Averroes," International Society
for Neoplatonic Studies, University of Cagliari, Sardinia,
"Topological Theory in Bioconstructivism," Theoretical Currents II: Architecture and Its
Geographical Horizons, University of Lincoln, 2012.
"Alberti and Ficino," Renaissance Society of America, Washington DC, 2012.
"The Cosmology of Grosseteste and the Architecture
of Lincoln Cathedral,"
on Architecture as Cosmology: Lincoln Cathedral and Bishop
Robert Grosseteste (1235-53), Lincoln Cathedral Conference Centre, 2012.
"Neoplatonism in the Liber Naturalis and Shifa: De anima or Metaphysica of
(Ibn Sina)," Ancient and Medieval Philosophy, Fordham, 2011.
"Celestial Vaults in English Gothic Architecture," Conference on Heavenly Discourses,
University of Bristol, 2011.
Battista Alberti and the Concept of Lineament," Conference on Iconology,
University of Vienna, 2011.
"Neoplatonism in the Risala (De
intellectu) of Alfarabi," International Society for
Neoplatonic Studies, Atlanta, 2011.
"Palimpsest," Conference on the Sketchbook, University of Lincoln, 2011.
Medieval Philosophy, Fordham University, 2010.
and the Development of English Gothic Architecture," Lincoln
of English Gothic Architecture at Lincoln," University of Lincoln, 2008.
of America, Chicago, 2008.
in Design Creativity, University of Lincoln, UK, 2007.
and Language in Plotinus," Ancient and Medieval Philosophy,
Fordham University, 2007.
"Architecture and Dream Construction," Space and Mind, University
and Psychoanalysis in the Seventeenth Century," Imaginary Cities,
Penn State University,
"Neoplatonism and Perspectival Construction,"
Renaissance Society of America,
"Neoplatonism and Psychoanalysis: Plotinus and Lacan," Ancient and Medieval
Philosophy, Fordham University, 2006.
"Architecture and Psychoanalysis," ACSA, Laval University, Quebec, 2006.
"Neoplatonic Bases of Hegelian Aesthetics," International Society
Neoplatonic Studies, Laval University,
"Plato and Deconstruction: The
Chora and In-Between," Ancient and Medieval
Philosophy, Fordham University, 2005.
"The Symposium and the Aesthetics of Plotinus," International Society for
Neoplatonic Studies, New Orleans, 2005.
"Piero della Francesca's Theory of Perception," Renaissance Society of America,
University of Cambridge, UK, 2005.
"The Return of Allegory to Architecture," ACSA, Syracuse University, 2004.
"Architecture and the Philosophy of Spirit," ACSA, Judson College,
"The Plan of Borromini's San Carlo
alle Quattro Fontane," Panel on Baroque
Architecture, CUNY Graduate Center,
"The Intellectual Principle of Plotinus
and Hegelian Self-Consciousness," Ancient
and Medieval Philosophy, Fordham University,
"Platonic Architectonics: Platonic Philosophy
and Architecture," Architecture and
Philosophy, University of Leeds, UK, 2004.
"Plotinian Hypostases in Hegel's Phenomenology
of Spirit," International Society
for Neoplatonic Studies, University of Liverpool, UK, 2004.
and Plotinus," Ancient and Medieval Philosophy, Fordham
"The Neoplatonic Aesthetics of Leon Battista Alberti," Neoplatonic Aesthetics,
Institute of Fine and Liberal Arts, Florence, 2003.
"Anaximander and Plato," Ancient and Medieval Philosophy, Cathedral of Saint
John the Divine, New York, 2003.
"Greek Revival Architecture in Rhode Island," Styles in New England
of Massachusetts, Lowell, 2002.
and the Transmutation of Geometries," International Society for
Neoplatonic Studies, University
of Maine, 2002.
"The Platonic Geometries of Cezanne,"
Mediterranean Studies Association, Aix-
en-Provence, France, 2001.
"Plato and Natural Law," Plato and Law, University of Athens, Greece,
"Ascesa attraverso gerarchie neoplatoniche
in San Carlo alle Quattro Fontane,"
Borromini and the Baroque Universe, Rome,
"Francesco Borromini and Athanasius Kircher,"
Neoplatonism and the Arts in
University in Rome, 2000.
in Contemporary Italian Painting," Neoplatonism and
the Arts in Italy, American University in Rome, 2000.
Construction of an Ethical Rationality in Plato's Laws,"
of Francesco Borromini," Imaging Humanites, Loyola University in
Aesthetics," Neoplatonism and Western Aesthetics, University of
Architecture and Neoplatonic Philosophy," Renaissance Studies,
University of Miami, 1998.
Ethics of Transgression in Aesthetic Ideologies," Mythology and Ethics,
Cornell University, 1997.
Structures in Architecture," Architectural Theory and Practice,
University of Pennsylvania, 1997.
"Psychoanalysis and Spatial Construction," Psychoanalysis and Cultural
Studies, University of Rochester, 1997.
"Social Construction and the Unconscious," Transporting Cultures, Binghamton
"The Body in the Theory of Making," ACSA,
See Resume for education and teaching experience.